Young musicians come to Nashville to chicken-pick and twang. They come to sing about trucks, girls, and girls in trucks. Not so with Future Thieves. They came to rock. You hear it in the first seconds of the first track of their first album. Horizon Line, which kicks off with a punchy drum intro. Then the band comes in: a quiet verse with urgent lead vocals, crashing guitar chords and thundering bass licks power into the chorus and then it ends suddenly, leaving listeners exhilarated and hungry for more. That first track, “Rosie,” is just the beginning. Throughout Horizon Line, lead singer/rhythm guitarist Elliot Collett, lead guitarist Austin McCool, bassist Nick Goss and drummer Gianni Gibson lay down a sound so compelling that you’d think they’ve been hammering it together for a decade on the road. In fact, Future Thieves is just a little over two years old. Yet in that brief time, they’ve stirred up plenty of attention from fans throughout Music City and then beyond the city limits, onstage at Bonnaroo and Summerfest and back home for Live On The Green, on tours with the Black Cadillacs and 10 Years and at venues in Boston, New York City, Philadelphia, Atlanta and throughout their expanding territory. They’ve also garnered press raves any band would kill for. Right from the start, the music of Future Thieves is based on the excitement of real-time, live action; performance is embedded into their writing. This explains much of why they rocked The Basement at their first show. With major festival dates already behind them, a killer album in their pocket and and the likelihood of even broader acclaim just around the corner, for Future Thieves the horizon line has no limits at all..

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