A unique, direct and absolutely wild voice belongs to Benjamin Dakota Rogers. His raw sound successfully breaks through the wall between the past and the present with a calculated homage to old-time and bluegrass rhythms. Rogers was raised on a farm in southwest Ontario where he built greenhouses, raised vegetables and lived off the land. It is impossible to distinguish between Rogers' talent for quick percussion and the environment he is so familiar with. In fact, Rogers' voice's strong tension—complete with a sweeping rasp and a soaring drawl—seems to originate in the farm's spring.
Rogers' lyric sense, which comes from a deep reservoir of passion for storytelling, is uncommon among young musicians. John Came Home, his most recent hit, is a melancholy spin on the murder ballad. John Came Home is bursting with brash optimism and spectral rage that ends with a blow to the chest. Rogers manages to adjust his instrument to the voice's gruff timbre. After playing the six-string guitar for a while, Rogers started tuning the tenor guitar like a fiddle. Charlie Boy showcases the Charlie Boy's unique nature, where careful picking builds to a spectacular apex. Rogers delivers a unique and sincere contribution to the traditions of string-band sound, supported solidly by a small rhythm section. Benjamin has performed on stages across the United States with artists such as Molly Tutle, Shovels & Rope and The Milk Carton Kids. He was inspired by fellow troubadours Tyler Childers and Colter Wall. Rogers is experiencing a creative surge as a result of the constant release of new singles over the past year..

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