The only person who can combine mainstream success with underground reputation is Eric Prydz. The Swedish artist has consistently been highly regarded by an adoring underground scene in addition to dominating the charts. He has achieved a level of success that has never been seen before or after thanks to his meticulous and astute decision to release specific tunes on his own labels under several aliases. Eric Prydz is unquestionably the king of dance music, attracting followers from all walks of life. The skilled Stockholm DJ manages three different record labels, each of which is in charge of the more indie music that emerges from his busy studio. Prydz has created music for his Mouseville brand using the alias Cirez D, delivering harder and more direct techno tracks to rave reviews. The label's best-selling EP, Knockout, embodies the Mouseville philosophy with a brief homage to the Swedish underground. Prydz explores his house influences with Pryda, an album of the same name, with a variety of tracks that have become well-known club tracks all over the world. Over his recognizable Prydz basslines, songs like "Aftermath," "Armed," "Rymd," and "Remember" add harmonies, melodies, and hooks. In order to give his friends' unreleased tracks a platform, Eric also founded Pryda and Friends. Additionally, he has collaborated on a number of songs there, such as the iconic 1983 with Paulo Mojo and 123/321 with fellow Swedish producer Axwell. Eric is a hugely successful businessman in addition to being a secret hero. He has had three number two hits in the United Kingdom after joining up with the huge Data Records. "Call On Me," Eric's debut single for Data, debuted in 2004 and shot straight to the top of the charts, where it held for an incredible five weeks. Eric originally created the song, which samples Steve Winwood's Valerie, as a simple piece to play for friends in Stockholm a year earlier. It soon gained popularity and became a local anthem before peaking as a number.

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